Monday, March 16, 2020

Film Review - Boys State (2020)


States from across the country gather up a multitude of 17-year-old boys to participate in Boys State, in which they work to form two separate political parties and work against each other to create a government similar to what's seen in the United States, if not better (which isn't difficult).

This documentary, simply titled Boys State, records just that, teenage boys from Texas acting as politicians to help their new party reach the top. It serves as not only a compelling look at some of the boys' efforts, but also as an interesting examination of political appeal.

From its opening moments, the film does a great job at getting the viewer to be compelled by these boys. It's quick with showing who the main ones it follows are, and tells you everything you need to know about them, while also giving off hints of the challenges they'll face along the way. It does a great job of developing their personalities so they can give the audience a reason to root for them on their election journey.

And the energy seen in these boys is wholly entertaining. The ways they gain their credibility among their piers can be a treat; from using joke issues to keep those they need to impress most engaged, to having memes be their primary source of campaigning, it's hard not to find enjoyment in their efforts to make it big and their various interactions with one another.

Those interactions are grounded firmly in advancing their own political agenda. Much of this even involves covering up what they really believe, as the majority of the boys are conservative, meaning that some are forced into pushing for causes they dislike, effectively illustrating the complications of appealing to others. And, fortunately, it never becomes preachy, finding a nice middle-ground making it clear that these boys all have their own beliefs that they still respect while trying to still make it big.

The way they treat each other shows the power of this more so, with attacks each side throws at the other finding mixed results, with some succeeding with how their party finds justice in the decision, and others failing with ones that seem purely like moves to advance it. But in the end, it all goes back to how the boys connect to each other, showing how they grow to appreciate one another despite their disagreements and how to respect them also.

Boys State in the end makes for a great watch as both a coming of age and politically insightful experience that knows what it is and has a fun time with it. I understand that not everyone will find young men talking about politics to be particularly enjoyable, but it stills makes for a strong look at a program that's gotten people politically involved for years.

Final Grade: A-

Saturday, March 14, 2020

Oscars 2021 - Year in Advance Predictions

I realize that it is far too soon to start discussing this, and I honestly couldn't care less since this constitutes at least 50% of my life. Let's jump into the action, here are my insanely early Oscars 2021 predictions.

Best Picture
  1. Mank
  2. Annette
  3. Dune
  4. The French Dispatch
  5. Blonde
  6. Ammonite
  7. Tenet
  8. Soul
  9. Fonzo
Netflix is still getting the cold shoulder from the Academy, but a Hollywood set, black and white biography about Citizen Kane's co-writer is sure to strike their fancy. Close behind I'd say is Annette, which I feel is going to be a big hit, given the musical genre's luck as of late, and with an already acclaimed director helming it and Adam Driver and Marion Cotillard in the lead roles, it's difficult to overlook this one. Then there's Dune, from Denis Villeneuve who's already had his last two films win Oscars, and anticipation for his latest film is building up fast. It could easily sweep some technical awards if campaigned properly.

Best Director
  1. David Fincher - Mank
  2. Leos Carax - Annette
  3. Denis Villeneuve - Dune
  4. Wes Anderson - The French Dispatch
  5. Andrew Dominik - Blonde
Best Lead Actor
  1. Tom Hardy - Fonzo
  2. Gary Oldman - Mank
  3. Adam Driver - Annette
  4. Anthony Hopkins - The Father
  5. John David Washington - Tenet
Taking a risk here, as Fonzo still has no release date/distributor, but perhaps it will find luck this year, as film with Tom Hardy in the lead with a makeup transformation that's bound to be divisive seems like a very possible win here.

Best Lead Actress
  1. Ana de Armas - Blonde
  2. Marion Cotillard - Annette
  3. Kate Winslet - Ammonite
  4. Jessie Buckley - I'm Thinking of Ending Things
  5. Jennifer Hudson - Respect
Armas has already built up a devout following after her excellent performances in both Blade Runner 2049 and last year's Knives Out, and role as a character very much inspired by Marylin Monroe could be her Oscar ticket.

Best Supporting Actor
  1. Tom Burke - Mank
  2. Benicio Del Toro - The French Dispatch
  3. Paul Walter Hauser - Da 5 Bloods
  4. Bill Murray - On the Rocks
  5. Chadwick Boseman - Da 5 Bloods
Playing Orson Welles gives Burke a major advantage here from the get-go. Also worth looking at is Bill Murray in On the Rocks, where he plays an estranged father which seems perfect for Oscar chances.

Best Supporting Actress
  1. Saoirse Ronan - Ammonite
  2. Glenn Close - Hillbilly Elegy
  3. Amanda Seyfried - Mank
  4. Meryl Streep - The Prom
  5. Ariana DeBose - West Side Story
With 4 nominations already at such a young age, Ronan's appeal is clear, and her role as a unhappy spouse who starts a relationship with Kate Winslet's character in Ammonite seems like just what she needs to finally win.

Best Original Screenplay
  1. Mank
  2. The French Dispatch
  3. Annette
  4. Soul
  5. Last Night in Soho
Best Adapted Screenplay
  1. Blonde
  2. Hillbilly Elegy
  3. Da 5 Bloods
  4. Dune
  5. Nomadland
This category seems pretty sparse this year, so for now I'll place my bets on Blonde, with Armas already seeming like a possible Oscar winner and the film's director/writer Andrew Dominik seeming overdue for a nomination.

Best Film Editing
  1. Dune
  2. Annette
  3. The French Dispatch
  4. Mank
  5. Fonzo
Best Cinematography
  1. Dune
  2. Annette
  3. The French Dispatch
  4. Tenet
  5. Mank
As mentioned already, Dune will surely be a heavy tech-category contender, given Villeneuve's past two films finding love there. If not, then Annette will likely take it home, similarly to how La La Land did.

Best Original Score
  1. Annette
  2. The French Dispatch
  3. Dune
  4. Tenet
  5. Mank
Best Original Song
  1. Annette
  2. No Time to Die
  3. Soul
  4. West Side Story
  5. In the Heights
Annette being a musical pretty much guarantees it spots in the two categories above. Nothing more to say there.

Best Production Design
  1. Dune
  2. The French Dispatch
  3. Mank
  4. Tenet
  5. West Side Story
Best Costume Design
  1. The French Dispatch
  2. Blonde
  3. West Side Story
  4. Fonzo
  5. Respect
Best Makeup and Hairstyling
  1. Fonzo
  2. Blonde
  3. The Witches
  4. Hillbilly Elegy
  5. The French Dispatch
The makeup transformation of Hardy alone should win over Academy voters, given recent wins as seen with Darkest Hour and Bombshell.

Best Visual Effects
  1. Dune
  2. Tenet
  3. Eternals
  4. Godzilla vs. Kong
  5. BIOS
Best Sound Mixing
  1. Dune
  2. Annette
  3. Tenet
  4. Soul
  5. West Side Story
Best Sound Editing
  1. Tenet
  2. Dune
  3. Annette
  4. The Invisible Man
  5. Greyhound
Best Animated Feature
  1. Soul
  2. Raya and the Last Dragon
  3. Over the Moon
  4. How Do You Live?
  5. Scoob!
Pixar with another film asking about life? There's another Oscar for them. Onward I doubt will get in, though, because although reviews are good, it isn't the hit the company's past few winners have been. Not to mention that it had a weaker opening than The Good Dinosaur, not a great sign.

Sunday, March 8, 2020

True/False Film Festival 2020 - My First Film Festival

I have finally achieved a major mark on my film fan bucket list: attend a film festival for the first time ever. Now all I need to do is see a film on 35mm and fully appreciate it and I'll be 23% done!


Anyways, I was more than delighted to have been an attendee at True/False Film Festival in Columbia, Missouri. I was a volunteer for Saturday and Sunday at the Jesse Hall Auditorium, where I served as an usher, helping people get seated when needed and also passing around a tip hat for bands and solo musicians that played before showings, all of whom I was able to see were great (like this guy).

The people I worked with were very kind, and helped the showings run super smoothly and as expected. I would love to work with them again if I volunteered next year (which I'm easily learning towards). And we all got to see the movies playing in the auditorium for free! ...given that there were seats available, because although there were TVs right outside the auditorium doors projecting the view of the theater screen, the audio was super muffled unless on of the doors was open and subtitles were virtually unreadable. Thankfully, most shows I helped with had seats open which is where 3/4 of my viewings came from.

But let's get into what you're really here for: the films. I actually only got to see 4 films this past weekend, mainly because I got in town a bit later into the festival's run and had volunteer commitments. Regardless, I'm still happy with what I was able to see.

The first film I watched (the only one I saw outside of my volunteer hours) was Boys State, which I actually save my thoughts on for a review probably coming next week.

Second up was Time, the story of an African-American mother whose husband has served 20 years of a 60 year sentence for a bank robbery. She's filmed everyday from a home-video camera since the day of his sentence, with scenes set in the present being filmed by the documentary's director. It's a powerful story, but I felt that much of the experimental filmmaking felt out of place for this and even distracting from the narrative at times. Regardless, I still found this to be an effective enough film that I'd recommend checking it out. It releases this fall from Amazon Studios for those interested.

Third was Mucho Mucho Amor. I had no clue who Walter Mercado even was until the second the film started, but now that I do I can safely say that I appreciate him as much as everyone else has. The film documents his career, disappearance from the spotlight, and current life mainly with interviews with famed Puerto Rican astrologer. It is technically the typical doc we've seen been done before, but its overview of Mercado is so delightful that I can forgive it. The film comes to Netflix sometime this summer.

The fourth and last film I watched was Sunless Shadows, the story of young Iranian girls serving time for having committed murder (mainly out of anger due to being abused), documenting their lives in a detention center, their regrets and their connections to one another. So yeah, this one's pretty depressing. I can't say that all of it fully pays off, but I still cared for the girls enough to the point where I truly felt sorry for them, and the film's portrayal of Iran's patriarchal society and what it drives these women into is devastating. I'm not sure when this one's U.S. release is, but if I find out I'll come back and edit this.

I also got to see snippets of Dick Johnson is Dead, which seemed like one of the best films at the festival from what I saw. I also watched a good, hefty chunk of Feels Good Man, but I wasn't in the theater then and the film had already started by the time I showed up, so I ended up just watching the film of it without any clear audio. It certainly looked visually intriguing, however, and I'd be interested in checking it out later on if given the chance.

One last note is that I was able to see film directors for the first time... even though I didn't get the chance to introduce myself to them, but still actually seeing them was really great! The director of Mucho Mucho Amor even meet with our volunteer group briefly after the film's post-screening Q&A was done, and he gave us free pins like the one below!


So overall, I loved my first film festival. I got to work with some great folks, and when I was just in the theater getting ready to watch a movie, just looking around the dark room, seeing everyone else waiting quietly for the feature to being, I felt like I was at home. I'm certainly looking forward to this festival in 2021, and I can't wait for my next film festival.

Monday, March 2, 2020

My Blu-Ray Collection

First off, I apologize for the lack of posts recently. I've been busy with other things as of right now, but once I'm pretty much done with all that in a week or two my first post will be my first predictions for the Oscars 2021 season, and I might be able to squeeze in a film review as well.

So to hold everyone over for now...


Here's my up-to-date Blu-Ray Collection listed alphabetically. A pretty small one right now, but one I'm still glad I have. I'll likely come back to this post and update it whenever I get any new additions.

*4K Copy
**Criterion Collection Release
  • 2001: A Space Odyssey*
  • Apocalypse Now*
  • At Eternity's Gate
  • Back to the Future
  • Back to the Future Part II
  • Back to the Future Part III
  • Batman
  • A Beautiful Day in the Neighborhood
  • Casablanca
  • Dunkirk
  • The Favourite
  • Ghostbusters
  • Ghostbusters II
  • Gladiator*
  • Gone With the Wind
  • The Hateful Eight
  • Raiders of the Lost Art
  • Indiana Jones and the Temple of Doom
  • Indiana Jones and the Last Crusade
  • Indiana Jones and the Kingdom of the Crystal Skull
  • Isle of Dogs
  • Knives Outs
  • La La Land
  • The Lighthouse
  • The Lord of the Rings: The Fellowship of the Ring
  • The Lord of the Rings: The Two Towers
  • The Lord of the Rings: The Return of the King
  • Moonrise Kingdom**
  • North by Northwest
  • Once Upon a Time in Hollywood*
  • Phantom Thread
  • Roma**
  • The Shinning*
  • The Spongebob Squarepants Movie
  • Star Wars: The Force Awakens
  • There Will Be Blood
  • Three Billboards Outside Ebbing, Missouri
  • True Stories**
38 films in total owned, +2 duplicates of 2001: A Space Odyssey and Once Upon a Time in Hollywood.