Zombie films are an interesting topic to me. There was a time when they were among the most popular of the horror genre, thanks to the late and great George A. Romero who launched the idea of zombies into fame with Night of the Living Dead. Since then, zombies have spread into TV shows such as The Walking Dead, one of the most popular shows ever, video games such as Death Road to Canada (I know that there's more notable examples of zombie games but that game really rules (no this is not a sponsored)), and more. Zombies in the film industry, though, have seemingly become less and less relevant over time, especially throughout this decade with a few exceptions here and there.
Then comes in The Dead Don't Die, a dark comedy from the mind of beloved indie filmmaker Jim Jarmusch and with the inclusion of an all-star cast. It's unlikely that this film would've fully revived zombie films, but it certainly could've offered a clever and fascinating take on the topic. Unfortunately.... it doesn't do that either.
The Dead Don't Die is an underwhelming satire that admittingly shares an important message, but it not only fails to create something interesting out of it, it can't manage to be entertaining either.
Easily the biggest issue is Jarmusch's writing. I have no doubt that his past work is great (this is the first film of his I've seen), but this film has easily the most stale dialogue I've seen all year so far. It feels as repetitive and boresome as ever. Lazy would be the best way to describe it as many lines are actually repeated, possibly as an attempt at symbolism, but most of the time it just comes off as awkward. The comedy in particular is where it struggles, offering a couple of decent laughs but often than not it fails to be clever.
I feel bad for the cast attached to this. The performances are actually the best thing about the film, with Bill Murray and Tilda Swinton being the standouts. Yet for some reason, the majority of the actors had to read their lines in the most monotonous voice possible, making the dialogue even more problematic than it already is. Other than that, most of the cast was at least decent and clearly doing what they can with what they're given.
Despite the actors giving their best effort, the characters they're playing are pretty forgettable. They either have not nearly enough screen time to leave a lasting impact, thus being wasted (poor Steve Buscemi), or fail to be interesting at all, especially the children at the juvenile center in the town where the film takes place, who add literally nothing to the film. The characters fully rely on the actors playing them to make the viewer care about them.
The film on a technical level isn't nearly as bad but is still problematic. The editing is questionable throughout, with some effects added in feeling like something that could've been done with iMovie and the cinematography is far from terrible, albeit bland. The makeup work, however, is rather impressive and make the zombies feel pretty realistic, it gets a point for that at least, as opposed to at least sixty subtracted ones so far. The music is decent as well, but if I have to hear Sturgill Simpson's "The Dead Don't Die" ONE MORE TIME.....well, let's just say that I'm as tired of it as Bill Murray was in this.
So right now, it's apparent that a lot of this films problems are due to Jim Jarmusch. As I said earlier, I'm sure his other films are of quality, and if that is the case then he just didn't care for once and put as much effort into this as a high school student would put into an assignment that was finished just minutes before it was due.
This is easily best seen with the last ten to fifteen minutes of the film, which I won't spoil here. However, I will say that it feels like he had no idea how to end it, so he just decided to use whatever he thought of and slap it in there, making for a unpleasant combination of it's failed comedy and poor character development.
The Dead Don't Die does show potential, and I do feel like it could've been something special considering how well liked the earlier films from Jarmusch are and the cast that he had to work with here. But instead of giving it his all, he just decided to force this out as a time waster. And a time waster it is, as it's a waste of time for Jarmusch, the cast he had, and the people who watched it. When you waste Tom Waits and Steve Buscemi's time, that's when you know you made a bad movie.
Final Grade: D
Saturday, September 21, 2019
Friday, September 13, 2019
Oscars 2020 - September Predictions
We're in the start of September, and that means that the awards season has officially begun, with Telluride and Venice Film Festivals having wrapped up and Toronto International Film Festival (aka TIFF) drawing to a close, a lot has been learned over the past couple weeks. What films have lived up to expectations and haven't pulled a Billy Lynn? What will surprise us all and plunge into awards glory? Let's find out!
Best Picture
- The Irishman
- Marriage Story
- Knives Out
- Once Upon a Time in Hollywood
- A Beautiful Day in the Neighborhood
- Ford v Ferrari
- Waves
- Just Mercy
Yeah, I definitely spoke too soon on Marriage Story the last time I made Oscar predictions. Especially after the reception Noah Baumbach's latest got from Telluride and Venice, it's safe to say that a Best Picture nomination is in its future.
I originally put A Beautiful Day in the Neighborhood as a lone Adapted Screenplay nominee in my past two predictions posts, but after it's TIFF reception it's pretty safe to say that the film has awards success on it's way.
Waves A24 got a lot of love out of Telluride, with critics going nuts for it right now. With a TIFF appearance as well, it's sure to be another big hit for the indie distributor.
Just Mercy is getting good reception from TIFF, although not as good as say Green Book which dealt with similar themes. So it may not be a big Best Picture player as other initially thought, but because of said themes I do think it could at least get nominated.
Best Director
I originally put A Beautiful Day in the Neighborhood as a lone Adapted Screenplay nominee in my past two predictions posts, but after it's TIFF reception it's pretty safe to say that the film has awards success on it's way.
Waves A24 got a lot of love out of Telluride, with critics going nuts for it right now. With a TIFF appearance as well, it's sure to be another big hit for the indie distributor.
Just Mercy is getting good reception from TIFF, although not as good as say Green Book which dealt with similar themes. So it may not be a big Best Picture player as other initially thought, but because of said themes I do think it could at least get nominated.
Best Director
- Martin Scorsese for The Irishman
- James Mangold for Ford v Ferrari
- Rian Johnson for Knives Out
- Marielle Heller for A Beautiful Day in the Neighborhood
- Trey Edward Shults for Waves
Right after I say that Marriage Story is a Best Picture contender I then say that Baumbach won't get a Directing nomination for it. I think he's going to miss out similarly to how Martin McDonagh and Bradley Cooper did along with Tarantino, getting nominated for everything else only to miss out at the Oscars in favor of a surprise nominee.
Waves director Shults would be a good contender for the "surprise nominee" since although I don't it'll be as big as an awards hit as others do outside of Original Score, it's still very likely that enough Academy voters will like it enough to get it a nomination for this category.
Best Lead Actor
Waves director Shults would be a good contender for the "surprise nominee" since although I don't it'll be as big as an awards hit as others do outside of Original Score, it's still very likely that enough Academy voters will like it enough to get it a nomination for this category.
Best Lead Actor
- Robert De Niro in The Irishman
- Leonardo DiCaprio in Once Upon a Time in Hollywood
- Adam Driver in Marriage Story
- Antonio Banderas in Pain and Glory
- Michael B. Jordan in Just Mercy
Let me tell you buddy, this category is a bloodbath this year.
Joaquin Phoenix is getting praise for his performance in Joker, but I feel like he's destined to be the one that just barely misses this year (with Jordan being the one who takes his spot).
Willem Dafoe in The Lighthouse could stand a significant chance here, but right now it sounds like A24 is planning on campaigning him in the Supporting Actor category, which is also packed. But who knows, maybe they'll change their minds and put him in Lead Actor after all, but right now that seems doubtful.
Despite praise for Driver and DiCaprio in their films, I do see them getting nominated but I just don't see them winning for their work, especially for DiCaprio who already has an Oscar.
For now, I'll just stick with De Niro who has the titular role in The Irishman. Not only does it seem like a substantial career comeback for him, but he's working with freakin' Scorsese again. How can you turn that down?
For now, though, it would probably be best to play the waiting game for this category and to just slowly watch more information and praise to come in.
Joaquin Phoenix is getting praise for his performance in Joker, but I feel like he's destined to be the one that just barely misses this year (with Jordan being the one who takes his spot).
Willem Dafoe in The Lighthouse could stand a significant chance here, but right now it sounds like A24 is planning on campaigning him in the Supporting Actor category, which is also packed. But who knows, maybe they'll change their minds and put him in Lead Actor after all, but right now that seems doubtful.
Despite praise for Driver and DiCaprio in their films, I do see them getting nominated but I just don't see them winning for their work, especially for DiCaprio who already has an Oscar.
For now, I'll just stick with De Niro who has the titular role in The Irishman. Not only does it seem like a substantial career comeback for him, but he's working with freakin' Scorsese again. How can you turn that down?
For now, though, it would probably be best to play the waiting game for this category and to just slowly watch more information and praise to come in.
Best Lead Actress
- Scarlett Johansson in Marriage Story
- Cynthia Erivo in Harriet
- Saoirse Ronan in Little Women
- Charlize Theron in Bombshell
- Jodie Turner-Smith in Queen & Slim
I originally said that Harriet reminded me of Darkest Hour, well now it's giving me more Jackie vibes instead. Right now the film just doesn't look like it's got enough steam to sweep the awards, and will probably just get nominations in Lead Actress and one or two other technical categories.
Johansson on the other hand is getting career best praise for Marriage Story, which Netflix seems ready to give a big push for Awards, so to the top she goes.
I was skeptical about putting Ronan here since I'm feeling Little Women won't be campaigned well enough, but the Academy (and everyone else for that matter) seems to like her enough at this point to let her in.
Best Supporting Actor
- Tom Hanks in A Beautiful Day in the Neighborhood
- Joe Pesci in The Irishman
- Chris Evans in Knives Out
- Brad Pitt in Once Upon a Time in Hollywood
- Jamie Foxx in Just Mercy
The Academy may have been pretty dismissive as of late towards Hanks. However, with him being the household name actor in America that's been getting some of the best reviews of his career for his newest work, and for a role that's very likely to be campaigned supporting no less, to say his third Oscar is on his way is very realistic as of now, especially considering that he's playing Mr. Rogers.
Best Supporting Actress
- Laura Dern in Marriage Story
- Annette Bening in The Report
- Jamie Lee Curtis in Knives Out
- Margot Robbie in Once Upon a Time in Hollywood
- Meryl Streep in The Laundromat
Dern's time may at last be here. The beloved actress is in an already acclaimed film with a supporting role that has been praised as one of her best performances. Perhaps she can finally win!
Best Original Screenplay
- Knives Out
- Marriage Story
- Once Upon a Time in Hollywood
- Waves
- Parasite
The premiere Knives Out at TIFF was among the best at the festival this year, and it's reviews so far have been through the roof. I've been saying this since I started making my Oscar predictions and I'll say it again, this movie is going to be a very big deal. Oh, and Parasite is being acclaimed like crazy too and is a surefire for Best International Film so here ya go.
Best Adapted Screenplay
- The Irishman
- A Beautiful Day in the Neighborhood
- Just Mercy
- The Farewell
- The Two Popes
Poor Jojo Rabbit got extremely divisive reception reception out of TIFF, meaning that it's Oscar chances aren't to hot anymore. Divisive films has made it into multiple categories in the past, most notably being Vice from last year, but when you compare the themes in Jojo Rabbit to the ones in Vice, it's certainly a detriment to Waititi's latest. Maybe it can sneak in here since Adapted Screenplay is kind of weak this year, but I wouldn't count on it.
For The Farewell and The Two Popes, I owe credit to Will Mavity from Twitter who pointed out that both films were adapted and not original as most people have been predicting. The Two Popes he said was based off a play the film's writer Anthony McCarten wrote, and The Farewell is based on a story its writer and director Lulu Wang wrote for "The American Life". The Academy is also known for putting films in Adapted regardless of whether its been considered Original or not given the circumstances (Ex. Moonlight) so chances are the same will apply to both films.
Best Film Editing
- Ford v Ferrari
- The Irishman
- Marriage Story
- Knives Out
- A Beautiful Day in the Neighborhood
Best Cinematography
- The Irishman
- Once Upon a Time in Hollywood
- 1917
- Ford v Ferrari
- A Hidden Life
Best Original Score
- Waves
- Ford v Ferrai
- Little Women
- 1917
- Star Wars: The Rise of Skywalker
As previously mentioned, Waves is likely to sweep this category throughout the awards season, as the music in it is by far the most praised aspect of it so far. So what ever happens to it, it's safe to say that it'll at least end up with good luck here.
Best Original Song
- Toy Story 4
- Frozen 2
- The Lion King
- Harriet
- Cats
Best Production Design
- Once Upon a Time in Hollywood
- Little Women
- The Irishman
- Downton Abbey
- Ford v Ferrari
Best Costume Design
- Once Upon a Time in Hollywood
- Little Women
- Downton Abbey
- The Irishman
- Dolemite is My Name
Best Makeup and Hairstyling
- Once Upon a Time in Hollywood
- Joker
- Bombshell
- Downton Abbey
- Aladdin
Going for Once Upon a Time in Hollywood winning the three categories above, as I already brought up last time in regards to Costume and Production Design that the film's 1960s recreation will be something the Academy won't simply say no to. Adding in Makeup and Hairstyling to the mix now because although it isn't as showy as the past couple of winners in this category, but it's still being considered rather impressive, and for a category like this and a film like this, a win seems like it could truly happen.
Best Visual Effects
- Avengers: Endgame
- Star Wars: The Rise of Skywalker
- The Lion King
- Captain Marvel
- Spider-Man: Far From Home
Best Sound Mixing
- Ford v Ferrari
- Star Wars: The Rise of Skywalker
- Ad Astra
- Once Upon a Time in Hollywood
- Judy
Best Sound Editing
- Ford v Ferrari
- Once Upon a Time in Hollywood
- 1917
- Ad Astra
- Star Wars: The Rise of Skywalker
Best Animated Film
- Toy Story 4
- Frozen 2
- Missing Link
- How To Train Your Dragon: The Hidden World
- Okko's Inn (the anime movie I foreshadowed oh so long ago)